![]() In the early 1940s he began composing film scores (his earliest was Tortilla Flat in 1942, and he went on to write over one hundred more between 19). His arrival in California coincided with the beginning of a long period of great productivity. ![]() A student of Ildebrando Pizzetti, Castelnuovo-Tedesco had been composing actively since the first decade of the century, and his reputation was well established by the time he left Italy: several major orchestral works had received premieres in Europe and the United States under the direction of Arturo Toscanini and Sir John Barbirolli and with such soloists as Jascha Heifetz and Gregor Piatigorsky. By 1940, after a brief period in New York, he settled in Beverly Hills, California, where he remained until his death. 124, for voice and piano, Beverly Hills, 8 June 1944Ĭastelnuovo-Tedesco left his native Italy for the United States in 1939 of Jewish descent, he sought to escape the anti-Semitic atmosphere of Benito Mussolini's rule. ![]() 99, composed for Andrés Segovia in 1938-1939, just before the composer's move to America. ![]() In addition to some 134 letters to the collector, the Archives include a wealth of scores that the composer sent to Moldenhauer, the result of what the composer, writing in 1959, called his "library cleaning." Among the musical items are sketches and preparatory materials, including those for several of the Shakespeare overtures and for the cycle for guitar and narrator setting selections from Juan Ramón Jiménez's collection of prose poems Platero y yo, as well as autograph scores for major works such as the Concerto for Guitar and Orchestra, op. In the late 1950s Hans Moldenhauer began an extensive correspondence with Mario Castelnuovo-Tedesco that continued until the composer's death in 1968. Listen to this page Mario Castelnuovo-Tedesco's "Ozymandias" ![]()
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